And we thought the sentiment was good. We all need music in our lives-- it gives us vigor, soothes our emotions when sad, expresses our passions when we love, our devotions and the prayers of our souls as well. But music is also an expression of who we are, marking us culturally, ethnically as well as emotionally. (Here's a sample of what the patients heard...hmm. won't let me inset the video, so I'll give you a link http://youtu.be/D9URX32IgFU)
So it was not surprising that the colors of the sounds we heard in the halls today were the unique blending of influences that comprise Vietnamese music and sounds. Like so many other cultural matters they reflect the accretions of the past, the native sounds, the imports, the adoptions, and the materials and resources available from which to make instruments, sounds, and rhythms.
Traditional music (folk music) resonates with the agricultural heritage, and has generally a fairly simple instrumentation, although highly distinctive in composition. In addition to recognizable stringed instruments such as the lute or guitar, and wind instruments akin to flutes and recorder, drums and such,
there are also several unique instruments, notably the Dan Bau (lowermost in the image), a single stringed instrument attached to a bell-like structure that has a remarkable range and tenor using overtones and resonances. Here's a video link to a fine performance using the Dan Bao http://youtu.be/Vthl0e7tIts The Dan Tranh, the zither-like instrument is also very elegant and capable of expression, with a very appealing sound to my ears. http://youtu.be/dSfUwKJnDsw
there are also several unique instruments, notably the Dan Bau (lowermost in the image), a single stringed instrument attached to a bell-like structure that has a remarkable range and tenor using overtones and resonances. Here's a video link to a fine performance using the Dan Bao http://youtu.be/Vthl0e7tIts The Dan Tranh, the zither-like instrument is also very elegant and capable of expression, with a very appealing sound to my ears. http://youtu.be/dSfUwKJnDsw
Vietnamese vocal music has a very long tradition that dates back a long way, and includes influences from Chinese opera, lyric poetry, French love songs and theatre, as well as modern music. Kareoke is very popular still (at least judging from the number of night spots advertising it) which I think speaks to this willingness and desire to express oneself with vocal music.
Our apartment is surrounded by a modest number of other high-rises, with some open squares in-between, which on various occasions seem to be the venue for open-air concerts of a sort, with heavily amplified traditional voices. Fortunately they usually shut down the volume before 10 pm. We will also occasionally pass other street venues featuring music, such as the "Music for Charity" booth we saw while riding home the other afternoon. Additionally, we occasionally notice some piped in music in certain of the huge traffic circles. I've wondered about these, and suspect that it is a means of reducing aggressive driving behaviors, based on the assumption that if you hear soothing music while navigating a stressful section of traffic you will be less likely to do something angry or impulsive.
The other "music" worth noting here is the ring of pile-drivers putting down foundations for the next high-rise in the neighborhood. For whatever reason, the construction schedules here seem to be almost 24 hours a day, so this is often the first sound one hears in the still twilight early morning hours. (I should note that such a schedule is significantly enabled by the fact that a large portion if not all of the cnstruction personnel will live or camp out on the site during the construction period.)
(These flowers seemed un-annoyed by the pile drivers, and were a nice by-product of Women's Day this past week.)
In another sense however, the music we "hear" most (or perhaps should hear most) is what the ancient prophet Alma called the "song of redeeming love"-- melodies played on the heart strings of souls who know the sweetness of change in their lives, and healing brought about by the redemption of Christ. It's a song with an infinite number of variations played out in the lives of people in every land. The tempo likewise is varied, progressing very much in an allegrettho fashion for some, while proceding more andante and measured with others. But the sweetness of the music that we see coming from people like H, or DA, or T, or L, or MQ, or even those just beginning to put the notes together like PA or Tr is something to be forever treasured and shared. When we get discouraged, this is the music that perks us up, even with just a few notes from our own hearts, or the shortest riff from that of another. When this ultimately comes together in that grandest of heavenly choirs, we will be there to sing our part, and relish the richness and variety of all the others. Hope you will be too. For now however, we're enjoying learning how the Dan Bau and Dan Tranh fit into the orchestra of saving souls.
















